![]() ![]() I am a professional mathematician, a graduate of the public schools of a middle-class community in New York, and the son of a high-school math teacher. Unfortunately, the sheer size of the sprawling document discouraged serious public scrutiny. The document also made a broad presumption that tweaking the content and timing of the math curriculum, rather than more effective teaching of the existing one, was the best way to fix achievement gaps among demographic groups. That draft explicitly promoted the San Francisco Unified School District’s policy of banishing Algebra I from middle school-a policy grounded in the belief that teaching the subject only in high school would give all students the same opportunities for future success. At the time, news reports highlighted features of the CMF that struck me as dubious. In 2021, the state released a draft of the California Mathematics Framework, whose authors were promising to open up new pathways into science and tech careers for students who might otherwise be left behind. When I decided to read every word of California’s 1,000-page proposal to transform math education in public schools, I learned that even speculative and unproved ideas can end up as official instructional policy. Otherwise, her favorite pastimes include baking, playing the piano, petting her cat, reading long books, replaying Assassin's Creed, and absorbing everything Taylor Swift.Updated at 11:00 a.m. If you need someone eager to talk your ear off about film history, fandom studies, animation, Marvel heroes, Cary Grant rom-coms, Guillermo Del Toro, Studio Ghibli, Hammer Horror, Nordic procedurals, K-Dramas, Tom Hiddleston's Loki, or obscure 1960s British sci-fi series, look no further. Having grown up with an imagination fueled by Star Trek, Star Wars, Lord of the Rings, and Turner Classic Movies marathons, becoming a pop culture nerd was inevitable. ![]() In addition to Collider, she's had the pleasure of contributing to Bright Wall/Dark Room and IndieWire. She graduated from college with a Bachelor of Fine Arts in Digital Filmmaking (emphasis film analysis and video editing) and has over a decade of experience writing about entertainment through an analytical, critical lens. Kelcie Mattson is just a small town girl and a senior features writer for Collider. As such, parents and educators stopped placing as much importance behind speech lessons, and without anyone to continue learning an invented accent that lacked any organic roots, the Mid-Atlantic accent died off. That shift also reflected the transformation of American society at large following the emotional displacement of World War II. Up-and-coming directors, screenwriters, and actors wanted a more truthful celluloid reflection of real life, hence the rise of Marlon Brando-esque stars from the 1950s onward. But she also retained the accent even after it fell out of style with the emergence of method acting. Hepburn was magnetically energetic in her own right, with rarely a script she didn't seize between her teeth and shake for all its worth. RELATED: 10 Classic Thrillers That Have Aged Like Fine WineĪlongside the majority of her fellows, Katharine Hepburn remains one of the figures most associated with the Mid-Atlantic affectation between her naturally arch yet laconic tone, authoritative presence, and multiplicity of starring roles. ![]() Although the Mid-Atlantic accent's origins undoubtedly lie with an elitist concept, in the right hands (er, throats), it helped tie performers intrinsically to overarching ideas of grace, dignity, and authority, regardless of genre. ![]() Listen to how any Bette Davis or Myrna Loy performance sparkles like kindling to a live fire, or the warm gravitas behind Gregory Peck. What charm would screwball comedies like His Girl Friday or The Philadelphia Story have if audiences couldn't understand all those dueling words launched between the actors like choreographed tennis balls? Other hallmarks, like emphasizing /t/ sounds over /d/s, rounding and extending the /oo/, and subverting the wine-whine principle (when the merging /hw/ sound becomes just /w/ instead) enhanced dramatic conviction or established an atmosphere. Phonetics such as gentler vowels and non-rhoticity (aka, dropping the /r/ sound before consonants and at the end of words) gave line deliveries their own melody, which projected eloquence as much as it complimented the fast-talking, tongue-twisting banter that relied so heavily on rhythmic timing. By coincidence or by design, the Mid-Atlantic accent was a perfect meeting of form and function for this period in American cinema's history. ![]()
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